Ballet News

Archive of: August, 2010

Ballet Idaho's Growth & Innovation Continues

As part of Ballet Idaho’s continued growth and development, the organization announced that Julie Numbers Smith, its transitional Executive Director since 2007, will conclude her role this season. As a result, a national search process will be launched to hire her replacement. Arts Consulting Group (ACG), a national arts management firm, will conduct the search. Using a search firm will allow Ballet Idaho’s senior staff and volunteer leadership to embrace the 2010 season preparation, while the firm focuses recruitment efforts locally, regionally and nationally to secure the best candidate to achieve the Company’s and the Academy’s long-term goals. The search process will be coordinated by Rebekah Lambert, Senior Consultant and Bruce D. Thibodeau, President. Smith, who was hired in May 2007, began as a planning consultant and then accepted the position of Executive Director to establish a resident ballet company in Boise. During her tenure, Ballet Idaho attracted the internationally known Artistic Director Peter Anastos, attracted a unique and very talented company of dancers, staged a new production of The Nutcracker, sustained a four-series season, launched a strategic planning process, and continued its Academy and additional dance education programs. With many strong foundational elements in place after what was originally planned as a one-year role, Smith notes that “Ballet Idaho is now poised for many exciting growth opportunities. The ‘phoenix has emerged,’ and now is the right time for someone new to work with Peter to reach new heights.” “Ballet Idaho’s Board of Directors and staff thanks Julie for her leadership,” stated Board President, Pat March. “She came to the Company as a transitional leader during a period of change and has been instrumental in driving our accomplishments. We were confident she would successfully lead our start up efforts and are deeply grateful that she has spent more than three years helping us establish a strong organizational infrastructure and a solid foundation for the future.” Peter Anastos added, “I moved to Boise from New York because the potential for greatness here is so palpable. It's a wonderful community that looks forward, and Ballet Idaho is fast becoming one of the gems of our cultural scene. Dancers have come from all over the U.S. to join our movement, and it's thrilling to watch how audiences have taken us into their hearts. This is a great opportunity to create the kind of quality that lasts. “During my first two seasons here it was an honor and pleasure to work with Julie Numbers Smith. We have the kind of working relationship that makes an arts organization work best - total trust. In addition, Julie and I became good friends, and we truly enjoyed being together and creating this wonderful new company called Ballet Idaho. She has been a steady rock for me and the dancers throughout this time, and we will miss her very much.” About Ballet Idaho Deeply rooted in the community, Ballet Idaho and its Academy (www.balletidaho.org) create, present, teach and preserve the art form of classic ballet, serving the citizens and visitors of Boise, the state of Idaho and beyond. The organization is poised for tremendous growth in a Company that currently employs 25 artistically superior professional dancers and an Academy that inspires more than 300 students annually. The Company performs a mainstage series at the Morrison Center for the Performing Arts and the Special Events Center, both located on the campus of Boise State University. Its Ballet Innovations and Family Series performances take place at its home facility in the Esther Simplot Performing Arts Academy in the vibrant Downtown Boise Cultural District. The 2010-11 season also includes performances of The Nutcracker in Colorado Springs. About Arts Consulting Group Arts Consulting Group (www.artsconsulting.com) is the leading provider of hands-on interim management, executive search, fundraising & marketing consulting, program & facilities planning, and organizational development services for the arts and culture industry. ACG has offices located throughout the U.S. with consultants in communities across North America to best serve the needs of its clients.

Wedding Bells….

Summer 2008: A new city… a new job…new friends… and a new company with a fresh vision – all things I couldn’t wait to experience upon moving to Boise. There is one thing, however, I did not anticipate. Falling in love… Nutcracker 2008: I met Grant a couple weeks before performances of The Nutcracker. He attended the show that year. Good move, Grant. Nutcracker 2009: Amazing onstage proposal. Surprised? Yes! Summer 2010: Wedding bells. This summer certainly was about more than just keeping up on my plie and tendu quotas. When the season ended in early May, it meant T-minus 29 days to finish wedding planning. It was crunch time, and I have never had so many details storming through my brain! There were ribbon bows to tie, programs to print, and dresses to alter. The list of decisions to make, reservations to arrange, and logistics to discuss was, at times, overwhelming. However, with the help of family and many generous people along the way, Grant and I planned the big day. I was so excited! However, I was terrified that, A. I would mess up the vows and say something like “I take you, Grant, to be my lawfully wedded wife.” or B. I would trip on the hole that I found in the carpet that seemed strategically located at the exact place I needed to stand. Thankfully, I repeated the vows just fine and managed to stay standing! The ceremony was held at First Baptist Church on May 29th. Family and friends traveled from various parts of Idaho, Oregon, Texas, and even England to join in the celebration! Grant’s father, Dave Gibson, who currently pastors a church in Houston, Texas, officiated the wedding. It was very special having someone who knows us so well play such an integral role in the ceremony. A great celebration ensued at the Rose Room following the ceremony. I warned guests to “Bring your dancing shoes because in case it is any surprise, this bride likes to dance!” With my Ballet Idaho colleagues in attendance and a bridal party full of dancers – there was great fun on the dance floor! I even got Grant dancing! Success!! It was truly a perfect end to a perfect day and a perfect start to our lives together. I couldn’t ask for anything or anyone better! -Angela Napier Gibson, Ballet Idaho Company Dancer [flickr-gallery mode="photoset" photoset="72157624821337810"]

Ballet Idaho’s Growth & Innovation Continues Organization Launches Search for Executive Director

August 23, 2010 Contact: Pat March (208) 921-8819 Boise, Idaho – As part of Ballet Idaho’s continued growth and development, the organization announced that Julie Numbers Smith, its transitional Executive Director since 2007, will conclude her role this season. As a result, a national search process will be launched to hire her replacement. Arts Consulting Group (ACG), a national arts management firm, will conduct the search. Using a search firm will allow Ballet Idaho’s senior staff and volunteer leadership to embrace the 2010 season preparation, while the firm focuses recruitment efforts locally, regionally and nationally to secure the best candidate to achieve the Company’s and the Academy’s long-term goals. The search process will be coordinated by Rebekah Lambert, Senior Consultant and Bruce D. Thibodeau, President. Smith, who was hired in May 2007, began as a planning consultant and then accepted the position of Executive Director to establish a resident ballet company in Boise. During her tenure, Ballet Idaho attracted the internationally known Artistic Director Peter Anastos, attracted a unique and very talented company of dancers, staged a new production of The Nutcracker, sustained a four-series season, launched a strategic planning process, and continued its Academy and additional dance education programs. With many strong foundational elements in place after what was originally planned as a one-year role, Smith notes that “Ballet Idaho is now poised for many exciting growth opportunities. The ‘phoenix has emerged,’ and now is the right time for someone new to work with Peter to reach new heights.” “Ballet Idaho’s Board of Directors and staff thanks Julie for her leadership,” stated Board President, Pat March. “She came to the Company as a transitional leader during a period of change and has been instrumental in driving our accomplishments. We were confident she would successfully lead our start up efforts and are deeply grateful that she has spent more than three years helping us establish a strong organizational infrastructure and a solid foundation for the future.” Peter Anastos added, “I moved to Boise from New York because the potential for greatness here is so palpable. It's a wonderful community that looks forward, and Ballet Idaho is fast becoming one of the gems of our cultural scene. Dancers have come from all over the U.S. to join our movement, and it's thrilling to watch how audiences have taken us into their hearts. This is a great opportunity to create the kind of quality that lasts." “During my first two seasons here it was an honor and pleasure to work with Julie Numbers Smith. We have the kind of working relationship that makes an arts organization work best - total trust. In addition, Julie and I became good friends, and we truly enjoyed being together and creating this wonderful new company called Ballet Idaho. She has been a steady rock for me and the dancers throughout this time, and we will miss her very much.” About Ballet Idaho Deeply rooted in the community, Ballet Idaho and its Academy create, present, teach and preserve the art form of classic ballet, serving the citizens and visitors of Boise, the state of Idaho and beyond. The organization is poised for tremendous growth in a Company that currently employs 25 artistically superior professional dancers and an Academy that inspires more than 300 students annually. The Company performs a mainstage series at the Morrison Center for the Performing Arts and the Special Events Center, both located on the campus of Boise State University. Its Ballet Innovations and Family Series performances take place at its home facility in the Esther Simplot Performing Arts Academy in the vibrant Downtown Boise Cultural District. The 2010-11 season also includes performances of The Nutcracker in Colorado Springs. About Arts Consulting Group Arts Consulting Group is the leading provider of hands-on interim management, executive search, fundraising & marketing consulting, program & facilities planning, and organizational development services for the arts and culture industry. ACG has offices located throughout the U.S. with consultants in communities across North America to best serve the needs of its clients. ###

Even as professionals, dancers never stop learning.

Like most young dancers, I attended my fair share of summer programs as a teenager. At 14 I attended Dance Aspen, where I first trained with Jillana. I had no real knowledge of George Balanchine, or Balanchine technique, but was swayed by the thought of dancing in the Rocky Mountains. I enjoyed the classes, and sought out other Balanchine based training after my experiences with Jillana. I also learned that my Houston based climate was much different than the rest of the country. I’ve kept in touch with Jillana over the years, and even included her in some of my research assignments during college. I was very excited when she came to Boise to audition for her summer program, and was even more thrilled that she accepted so many of our students. She wasn’t only auditioning young dancers; she also invited me to attend her adult program, Technique in Taos. We also stayed in condos in the Taos Ski Valley, though I had the one bedroom with a loft all to myself. Classes were 8:30-5:30, beginning with Pilates and ending with Yoga. I hope it was due more to the elevation of 9300 ft, but I was breathing heavy after tendus. As a professional, we use the mirrors in the studio to fine tune our technique and check our line, but Jillana had no mirrors in her studio. We had to go by feel, and her words of encouragement. Many of Jillana’s adult students were former professional dancers, who now teach and choreograph, though there were also a few students who have chosen to make ballet classes apart of their adult lives. One of the reasons I chose Dance Aspen years ago was for the proximity to the mountains and the outdoor activities included in the program. Jillana told me I’d love the Taos Ski Valley as well, and I was not disappointed. I had lush green mountains at every view, and a creek of rushing water just past my balcony. We were greeted in the mornings by rabbits, chipmunks in the afternoon, and deer in the evenings. I chose a spot at the barre with a window, taking inspiration from nature during pointe class. Even as professionals, dancers never stop learning. Every class is a challenge to improve a little bit more; to make every motion one inch closer to that ever elusive perfection. I’ve had wonderful teachers and love sharing their knowledge with my students. This summer, I was fortunate to share my students with a former teacher, and return to her as a professional. I think she was happy with my pas de bourees by the end of the two weeks. Sarah Ellis, Ballet Idaho Company Dancer

The Combinations About Killed Me!

The first week at the intensive was just sort of adjusting to new classes, teachers, and habits. You take a placement class that's just like the audition, so anyone who's interested in coming here can just relax and take a technique class, like it's no big deal (but of course look your best!) The first week is a little hard because of how much dancing you do! Considering I hadn't danced in about a month I was very sore, but by the second week I wasn't even getting out of breath in combinations that had killed me in the first week! This third week now is good, it goes by so fast! With technique in the morning, then usaually a break, lunch, then pointe (hard!) then pilates and modern it's a full day with sometimes rehearsal at the end. (plus dinner, I forgot that) Some of my favorite things are probably the activities on the weekend, and dancing! You can go horsebackriding, rafting, go to Taos the town, and ride the chairlift to the top of a mountian with a really pretty view! I've learned a lot from being here, tons of new Balanchine technique things, and variations. What are the hardest things... everything? Just kidding...the first week was really hard because the altitude just slowed you down and made you so tired! I still remember the first grande batma combination, (the kicks, french is so hard!) it was four in each direction and then turn around and do it again on releve! I was dying! But now when we do that sort of combination I'm perfectly fine! Spare time is used for nothing but resting, some soaking and icing, and also watching tons of movies with my roomates who are really fun. Yeah, I'm rooming with girls from North Dakota, Minnesota, and Kansas! Lots of girls in level 4 are from Texas, and I've met girls from as far as Florida and South Carolina. Jillana is just amazing and really a different person-she loves the color purple and wears it all the time! She has gone from an intimidating, prima ballerina, to a caring teacher who just wants her students to get better! She really cares about us, even when she gives us impossible combinations. I think I might, if chosen and given the chance, come back. I know what it's like and what to prepare for and I feel like I'm improving so much! I would recommend this to anyone who just wanted to improve their dancing and learn what it's like to be on your own for a bit! Sara Meyers, Ballet Idaho Academy Student

"I Just Love Dance!"

The Wizards and Wands Summer Dance Camp sure put a spell on me. The two groups of dancers we had for each camp were truly amazing. Many of the dancers have never danced before and were completely in awe of the whole experience. The others who had taken dance previously found a new realm of enjoyment. Each day progressed to a new level, and every dancer was able to keep up with the movement, choreography, and overall attention span of the two hours. I will never forget one dancer looking me in the eye, sighing while saying, “I Just Love dance!” These precious moments will forever last in my mind, as I’m sure the week of magical spells of dance steps will last in the dancers’. -Lacey Vander Boegh, Pre-Ballet Coordinator [flickr-gallery mode="photoset" photoset="72157624711964880"]

Nerves & Excitement at the Jillana School

I auditioned for the Jillana School of ballet on February 14 when Jillana came to Boise and was accepted. The Jillana School is in Taos, New Mexico in the ski valley. It was so beautiful and surrounded by mountains. We lived in condos during our stay and mine was called the Powderhorn. Some condos had up to eight girls to a room, but I was lucky to room with only four. There were three teachers, Jillana, Wendy, and Sara and I liked them all, but I personally liked Jillana the best. There were also counselors that checked us in at every class and every meal, they also checked to make sure we were all there in bed by bed check, which was at nine-thirty. Sometimes they took class with us too:). Mornings started early and we got up before six o’clock and got ready for breakfast that started at seven. After we ate, we would go to stretch class to warm up our muscles for about twenty minutes. After stretch we had technique class (which is like a regular ballet class) until lunch time. After lunch we had Modern, Point, and Pilates; each for about an hour. At five-thirty we had dinner, and then we had one to two hours of rehearsal until 8:30 p.m... During the four weeks we worked on all kinds of ballet technique, Pilates, and modern. In Pilates we worked on our stomach muscles a lot. It was hard work and my stomach hurt afterward. In modern we didn’t do a class, we just worked on our dance for the performance. The pointe class was probably the hardest for me. We did lots of center and coming from the corner. Jillana also gave me the solo of the canary fairy from Sleeping Beauty. It was hard at first but then I got the hang of it and it felt so easy. There were eighty-seven girls and only six got solos! At the performance when my solo came up I was nervous, but it was so fun. I was proud of myself and so was my mom. I look forward to going back to the Jillana School. DJ Massingale, Ballet Idaho Academy Student [flickr-gallery mode="photoset" photoset="72157624587444357"]

Who is this exotic creature with one name?

Jillana! I remember the first time I saw her name on a New York City Ballet poster and wondered, Who is this exotic creature with one name? This was WAAAAY before Cher or Madonna coined their own one-name celebrity status. As a collector of early NYCB memorabilia, I followed her name through foreign tours, premieres, New York seasons and books written about the period. Finally, years later, I met her here in Boise when she came to audition for her summer intensive. That was a great honor and she turned out to be as wonderful and interesting as I imagined. What's more, she honored us by choosing 5 of our Ballet Idaho Academy students for her summer course. My road trip to New Mexico this summer included a 3-day visit to Jillana's School in the Taos Ski Valley. I wanted to see how our girls were doing and to observe first-hand Jillana's teaching methods and the performance she planned for her students. It was a great thrill to see her classes; the purity and deceptively simple Balanchine style is like fresh spring water for the students. Very simple exercises, focused to get the most from each muscle, graded to increase clarity and musicality, strength-building, rewarding. The students faces tell it all. But the real revelation was the performance. Instead of cuteness and over-rehearsed "routines" it was a very focused and quite difficult showing of just how much the students learned this summer. Amazing! Classical variations, Balanchine variations, beautifully modulated ballet works, modern dance works and a wonderful excerpt from Serenade one of Balanchine's most beautiful ballets. The girls looked fabulous! Each and every one of them made huge strides forward. Especially rewarding was to see Marianne and Sarah Meyers in Serenade -- they looked beautiful as any Balanchine dancers! And Julia Dunlop scored a personal triumph in both Serenade and part of the Tchaikovsky Pas De Deux Variation. DJ Massingale did wonderfully in the Songbird Fairy variation from Sleeping Beauty and --- somehow, I don't know how! --- Jillana's faculty created a moment of surprising comedy and hilarious theatricality for Cristina Zimmerman! How did they tap her personality so quickly? All in all, a great trip! The scenery of northern New Mexico and southern Utah had nothing on the spectacular sight of our Ballet Idaho students working with Jillana. It was a fantastic experience seeing their hard work turned into such beauty! Peter Anastos

It’s a….Home!!!

Principal Dancer, Phyllis Rothwell Affrunti shares some wisdom about buying a new house! Read all about it.... You know that someone is from the south when they have a Miss Manners edict book that actually has ear marked pages. Mine is sitting within easy reach, by my dining room table. Why am I talking about this book that has some fabulously ridiculous rules in it, such as the proper way to eat long neck clams, and whether you should call someone out if they are stuffing dessert in their purse at the White House? This book also has a list of appropriate gifts for anniversaries, i.e. year 1 = paper, year 2 = cotton…year 10 = tin/aluminum. (So romantic). So when Frank’s and my 5-year anniversary came along this summer, who knew that, our gift of wood would be a house! Yes, my first home. As a dancer, this is not the norm. We can travel from city to city in our careers always trying to find the perfect fit. I myself have moved 16 times in my career with only 3 of them being in the last 7 years. It is not just moving cities, it is moving apartments, when you loose a roomie, or a more affordable place comes along. I became talented at calling home anywhere my pillow was, including the lovely Downtown Motel in Eugene. So I can talk forever on everything that happened to us in the purchase our home and everything that we are planning on tackling, but I though I would give some words of wisdom to potential new buyers. Here are a few things that I have learned this summer. 1. There is no greater oxymoron than the term “Short Sale”. 2. Just because you have an automatic garage door does not mean it opens automatically. 3. No matter what, the directions on how to put your toilet back together are right. Never deviate. 4. When something states, “some assembly required”, it means call three of your most patient friends. You will need them. 5. Duct tape still fixes everything. (Except that toilet that you didn’t follow the directions on) 6. A garbage disposal is way pickier than your trash can. 7. Even though a paintbrush says “for oil paint”. If you use it for oil paint you will have to throw it away. 8. Always check the mirror before you leave. A facemask might help dust stay away from your face, but if you are spray painting, the inside of your nose will be a color sample. 9. No matter how much you check your recycling schedule you will always be wrong. 10. Dandelions and goats heads are the state flowers. 11. Just because your stud finder says there is a stud, don’t hang a twenty-pound mirror without a mattress to catch it. 12. Not all shovels are created equally. 13. The ladder that you have is never tall enough. 14. I can find my baby rattle, but I can’t find my ironing board. 15. There are doorstops on your baseboards for a reason. If you have to take them off, put them back on ASAP. 16. The rumors are true. Dark wood shows EVERYTHING! 17. I LOVE MY HOUSE!!!!!! Phyllis Rothwell Affrunti, Principal Dancer Ballet Idaho

An Inspiring Week at Summer Dance Camp

The last week of Pre-Ballet camps could not have gone better. As an instructor it is always nice to end on a positive note, and that’s exactly what the week of Angelina Ballerina was for myself and the other instructors. The students were so eager to learn that we moved on to harder and more advanced dance steps. I was impressed each day by their determination and spirited energy. These camps are a great way to introduce your child to dance. These week long camps offer inspiration for a longer career in ballet. The warm, fun, and ballet defined camps are also what drive our yearly classes. I look forward to seeing each one of the ballet campers again on a weekly schedule! -Lacey Vander Beogh, Pre-Ballet Coordinator
Page 1 of 2 Next