October 26 - 28, 2023 | Morrison Center for the Performing Arts | This program will offer a chilling and captivating evening of dance just before Halloween. A new work by Penny Saunders will delight audiences as it weaves together movement, character, and narrative in the style of radio dramas from the 1930s and 40s. A world premiere by Dresden based Joseph Hernandez will explore virtuosic ballet technique imbued with a brooding atmosphere of suspense. Rounding out the evening is Danielle Rowe’s haunting ensemble work, Dreamland, created on Ballet Idaho in 2018. An evening of dance, darkness, and drama that is not to be missed.

February 8 - 11, 2024 | Boise State University SPEC | Returning to the SPEC theater for the intimacy it provides, we will experience the incredible range of these artists in three distinct dances. Anne Mueller and Garrett Anderson will co-choreograph a new work for the company, exploring composition and celebrating the dancers’ balletic virtues. James Kudelka’s Man In Black, set to the soulful late music of Johnny Cash, is a masterpiece of form, shaded with emotional nuance and the gravitas of Cash’s lyrics. Closing the evening is Alejandro Cerrudo’s Extremely Close, a gorgeous study of contemporary movement and theatrical sleight of hand set to the music of Phillip Glass.

May 3 - 5, 2024 | Morrison Center for the Performing Arts | Passion. Intrigue. Murder. Madness. What more could you want in an evening at the ballet? After a condensed version created in 2022, Ricardo Amarante returns to create the full Carmen to Rodion Shchedrin’s score for percussion and strings after the well known Bizet opera. With new scenic designs by Andrew Boyce (Peter and the Wolf), we are thrilled to see this intense narrative brought to life through the lens of Amarante’s seamless and sensual choreography. Since its 2001 creation for the heralded Netherlands Dance Theatre, Johan Inger’s Walking Mad has been a staple for contemporary dance companies the world over. Set to the well known music of Ravel’s Bolero and Arvo Pärt’s Für Alina, this intense (and sometimes comical) romp through scenes created by nine dancers and an ever-changing wall is an experience you will never forget.